Tag Archive for: Sundance


Diane Bell is a screenwriter and director of several indie films. Her first feature, Obselidia, premiered in Dramatic Competition at Sundance in 2010 and won two awards. One award was the Alfred P. Sloan Prize. Her second film, Bleeding Heart, is a drama starring Jessica Biel and Zosia Mamet, which premiered in 2015. Her third feature, Of Dust and Bones, which tackles the aftermath of violence is currently playing the festival circuit. In addition to writing and directing films, Diane teaches workshops on how to make a standout indie film. Her step-by-step guide to successful indie filmmaking, SHOOT FROM THE HEART, will be avail in bookstores from Oct 1, and online course is coming soon. The most valuable thing she has learned and that she likes to pass on in her instruction is to always trust your heart and to never back down from what you love. You can contact Diane through her website, https://www.dianebell.com/.



Interview Show Notes

[01:43] Getting started

  • Becoming a cinefile in school.
  • Teaching yoga in Barcelona.
  • When you’re told you have a great writing sample, but that it will never be made.

[04:00] She decided to find Mickey Rourke to give him her script.

  • Carrying around copies of her script, trying to make connections, and meeting a producer who loved the idea.
  • Connections through the producer brought the script to Mickey Rourke.

[08:10] Going to Wyoming to read and discuss new scripts.

  • One of the best creative experiences of her life.

[14:40] Making the decision to become a filmmaker.

[15:21] Overnight three films to be produced completely collapsed.

  • Losing these films almost felt like having a miscarriage.

[17:01] Writing Obselidia on her own.

  • Maintaining humble and low aims for this film.
  • Frustration at screenplays not getting made initiated her directing career.
  • Her movie wasn’t finished when it was submitted to Sundance.

[22:52] Feeling like Obselidia was a disaster.

  • Sundance accepted the film the next day.
  • Programmers told her Obsolidia was “just pure love,” making it stand out.

[27:55] The experience of Sundance.

  • On getting thrown into the deep end.
  • Her first film review was brutal.

[35:27] Mark Ruffalo’s advice…

[36:10] Critics don’t respect filmmaking in a certain way.

  • You have no right to hate on the work of others until you’ve made your own.
  • Good reviewers help you learn a lot and provide intelligent criticism.
  • She was told that she needed to do something bigger.

[44:44] Making her second film, Bleeding Heart.

  • Having to give up a lot of creative freedom.
  • The most important thing she has learned…
  • Feeling fear that if she didn’t sign for Bleeding Heart, her career would be over.
  • The energy behind an action is more important than the action.

[54:21] Teaching the filmmaking process to others because of this experience.

  • She realized that she chose herself to do what she wanted and that no one could stop her.

[59:30] Of Dust and Bones came out of her creative depression.

  • Questioning if it’s possible to change the world by telling a story.
  • Wanting to jump into intuition and go with her instincts.
  • Of Dust and Bones requires some work from the audience because…
  • Respect for films that give you space to wander and think.
  • No significant dialogue until 40 minutes into the movie.
  • The aim of her new film is to get it across digital streaming and let it find its audience.

[1:16:36] To make a film that has any chance of standing out and making an impact, you do need a certain budget.

[1:20:07] The best way to fundraise…

[1:23:34] Her book, Shoot for the Heart, is available for pre-order on Amazon and will be out in October.

[1:26:55] Loving LA but moving to Denver to raise her son.

  • Feeling like she didn’t know any “real” people because everyone was making films.

[1:32:17] You don’t need incentives to make movies.

[1:35:10] Working with Alex Ferrari of Indie Film Hustle on Obselidia

[1:39:30] The biggest lie we tell ourselves about making films is that…

[1:43:09] Throwing money at everything does not make for good creativity.

[1:45:53] The potential for people to monetize their work is incredible with today’s technology.

[1:47:25] As an artist, you’ve got to hustle and diversify.

  • Find a job that pays your rent until you reach a certain level that makes you money from the creative things you do.

[1:51:45] Colorado needs to make great indie films for the industry to boom.

  • The need to nurture the talent and support each other to make great work.
  • Diane would love to make a TV mini-series.

[1:56:28] Her best advice…

Links and Resources


Be sure to check out podcasts with other great guests in the film and media industry on our DMP Podcast Page!


A true renaissance man of film, Alex Ferrari worked his way up through the ranks from the bottom to become an award-winning director and writer, as well as a producer, editor, colorist, cinematographer, podcast host, consultant, and all-around indie film guru. His commitment to making the art of indie filmmaking accessible and relatively inexpensive to the masses has garnered a massive following of dedicated fans worldwide. He can often be found on the guest list as a speaker at any number of film and media events, and his films have screened at festivals around the globe.

In addition, Alex Ferrari is the creator of the Indie Film Hustle website and podcast. He has also created the podcasts Bulletproof Screenplay and Ask Alex, and has recently launched Indie Film Hustle TV, which is a fantastic resource for filmmakers on the internet.

Show Notes

[2:06] Alex’s background

  • Born in Fort Lauderdale, FL, raised in NY, living in L.A. for the past ten years
  • Full Sail Film School
  • Inspired to create a guerilla film school on DVD to make it affordable for lower-budget filmmakers in order to give back to the film community  

[6:42] Alex’s take on the value of film school, then and now

[11:11] Connections that filmmakers make and their value

[12:27] Alex’s experience with his first job as a tape vault operator, and how he got it

[13:50] Building his first demo reel

[17:06] How Alex discovered that he was meant to be his own boss

[18:05] How Alex made his first director’s demo reel

[19:15] Going into business for himself

[20:06] How Alex got into color correction and a brief history

[21:52] Jumping on the Red bandwagon, and adding more tools to the toolbox

[23:13] “You always ask for forgiveness, not permission… you just gotta hustle, you gotta be bold.”

[24:20] The highs and lows of Alex’s career

[26:49] Alex’s take on the allure of the film industry

  • The sizzle of the American media industry
  • Discussing the Indie Film Boom
  • Advances in technology and the next generation of filmmakers

[36:21] Building your entire business on someone else’s platform

[37:25] The history of Indiefilm Hustle and Alex’s olive oil “odyssey”

[45:43] Alex’s initial motivation and plan for developing Indie Film Hustle

[51:31] The benefits of having your own podcast

[54:02] How Bulletproof Screenplay was born

[58:27] The art of curating guests according to Alex Ferrari

[59:40] The exploits of Faith Granger

[1:05:02] Alex’s favorite podcast episodes:

[1:09:44] Indie Film Hustle TV and how people can get involved

[1:12:28] Alex’s typical work day

[1:19:06] The top ten books that will change your life… (see Links & Resources)

[1:13:32] Maintaining a balanced life

[1:21:35] Who would benefit from watching Indie Film Hustle TV? What kind of content is available?

[1:25:08] The best piece of advice Alex has ever received…

[1:32:35] ”I’m super happy making small, little independent films that mean something to me, mean something to my audience.”

Links and Resources

Be sure to check out podcasts with other great guests in the film and media industry on our DMP Podcast Page!