Posts

Summary

As a youth, Jeanne grew up in New York.  Then, as a young adult, she made her way out to Colorado studied art at the University of Colorado.

Over the next few years, Jeanne worked as a graphic designer and then art director for the KUSA television station.  Early on, she started requesting opportunities for creative direction on set. People took notice of her passion and talent, and she was recognized with 12 Emmys during her time at the station.

Jeanne then moved on to Colorado Production Group, which eventually became Citizen Pictures, and that’s where her career as a director really took off.

About 10 years ago, Jeanne and her husband started Mrs. K, which is based in Boulder, CO and focuses on creating branded content for networks.  Jeanne has worked with clients such as ABC, Animal Planet, the Cooking Channel and many more.  She’s worked with talent such as Oprah Winfrey, Anthony Bourdain, Mike Tyson, and on and on.  The list is very large.

Jeanne is known for a calm directing style with celebrity talent and for her ability to draw out performances not only from actors but also from “real” people.

Jeanne Kopeck On Set With Anthony Bourdain

Show Notes

[1:23] Jeanne’s background

[12:30] The value of formal education vs. on-the-job training

[15:12] Learning how to learn

[15:53] The value of networking during film school

[16:47] How Jeanne got started with KUSA

[18:26] What is art direction in television?

[19:45] The pace of production working on a news program

[21:34] Growing up in the industry, and finding local support to blow up buildings

[27:38] All about Mrs. K

[30:43] Work outside Colorado vs. in-state

[31:45] Dealing with gear and traveling remotely

[35:20] Why Jeanne resides in Colorado

Jeanne Kopeck on the Set[37:42] Growing a network of clients

[38:57] Marketing then and now

[41:53] Dealing with the competition

[43:49] Advice for someone just starting out

[48:18] The advantages of becoming the lowly PA

[50:29] Dealing with the ups and downs of freelancing

[51:59] How Jeanne learns and keeps up with the times

[52:45] The value of downtime

[55:20] Things that can help keep the creative juices going

[58:56] Remembering that working in media is a group endeavor

[59:57] Current projects

Jeanne Kopeck's Epic Work

[1:09:07] Working for Disney+

[1:11:48] Typical budget ranges for productions for Mrs. K

[1:13:18] Determining how much to charge for a project

[1:16:32] Good projects, bad clients, and how to deal with it all

[1:20:57] The reality of life vs. art

[1:25:42] Being a working woman in what has historically been a “man’s world”

[1:30:23] The best book Jeanne has ever read

[1:33:13] Words of wisdom that made an impact

[1:35:45] “Your greatest strength is also your greatest weakness”

[1:36:41] The greatest lesson ever learned

Links and resources

 

Be sure to check out podcasts with other great guests in the film and media industry on our DMP Podcast Page!

Summary

Audrey is the executive director the Heartland Chapter of the National Academy of Television Arts and Sciences (NATAS). In this podcast, Audrey explains what it takes to enter a project for the regional Emmy awards. The discussion covers who's eligible, who does the judging, the costs, and the deadline.

 

 

Show Notes

 

[2:11] What is an Emmy meant to recognize?

[2:48] What qualifies as an entry?

[4:56] What exactly makes up t

he Heartland Chapter?

[7:09] The process of entering a project for a regional Emmy award

[9:42] Specifics on how to determine if your project qualifies for a regional competition

[12:47] Identifying your viewership

[14:41] What kind of entity/entities enters and wins?

[16:16] The call for entries

[17:19] Do you have to be nominated?

[20:12] How judging works

[21:32] Are you missing 50% of the picture?

[22:20] Understanding compositing

[23:26] Length matters… really

[24:35] Other benefits of entering your project for a regional Emmy award

[27:37] All about the Heartland Regional Emmy shows

[31:15] How many entries are typically submitted to the Heartland Chapter?

[32:31] Award logistics

[33:54] The costs involved in submitting a project for entry

[35:39] Credits on your project

[37:00] Determining the contribution values

[39:37] The best ways to reach Audrey (and the proper etiquette!)

Links and Resources

 

Be sure to check out podcasts with other great guests in the film and media industry on our DMP Podcast Page!